Mark Campbell and the Ethics of Saying Less
The Moral Weight of the First Sentence
Opera does not begin with music. It begins with permission .Permission for sound to exist, for breath to matter, for silence to carry meaning. Before a composer can imagine harmony or rhythm, the libretto must answer a more difficult question: why must this be sung? For Mark Campbell, one of the most consequential librettists in contemporary American opera, this question is not aesthetic; it is ethical.
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